Love everyone’s replies here, and I echo Shawn’s sentiment: this is a pretty consistent response across the board!
To me, Wash absolutely nails the SCf sound and really busted open the traditional song structure of rock songs of the era. It wasn’t my favourite song from the album when I first got into Lifehouse, that was the title track (but then again, this album was my least favourite for a long time because I hadn’t learned its nuances… it just sounded angry) but over time the sound became too good, that extended instrumental intro following Spin’s extended instrumental outro, the guitar noises that Jason said he stumbled across in studio and could never replicate which they kept and used on the song… absolutely amazing sound and energy. And Ricky’s drumming? Absolutely killer. Even Serge’s bass playing is some of my favourite here.
Just Another Name has always been in my two or three least favourite Lifehouse songs. I think it’s jarring to listen to, especially the intro, and the lyrics are a little too on-the-nose. Never quite fit the rest of the record, especially considering…
How Long is by far my favourite song of Jason’s from this era. The riff at the start, the build up, the multiple guitar tracks, the acoustic ending… it tries something new in its own way, not unlike Wash. But lyrically… lyrically it’s a top five Lifehouse song for me. “How many times till the work will be completed? How many times will history repeat it? How long til all that we can say is ‘save us’” resonates more and more with me each year as the world gets more divided. It feels as political a song as he’s ever done, and I appreciate that about it. And that intro stanza just destroys: “Climb on top of all you despise / It’s a better view from the lies”. Woof. This should’ve been in the standard album and absolutely should’ve gotten more attention than it did.
I agree with Shawn that Wish was a missed opportunity. My biggest beef with Climbfall is that there’s little reprieve from the hard-edged guitar and louder vocals – only the title track and My Precious offer that respite. Adding Wish somewhere in the middle would’ve made the album warmer, closer to NNF, and acted as something that pulls you in and offers more of the intimacy that the first album had throughout. It was apparently on test pressings as the twelfth track before being replaced a few months before release by The Beginning, but I think The Beginning is a better ending anyway.
As an album
I still feel that Stanley Climbfall was a concept album – an album about the rise and fall of people in modern society, predicated on our need for excess, immediacy, and our desire to numb when things get hard rather than to face our individual and collective challenges head on. Ultimately, it reads to me like a cry for help, with almost every track asking for mercy and help from a wounded world. While it took a while to grow on me, I actually find it to be one of the most resonant bodies of work Jason’s ever done, thanks in no small part to the prevalence of these themes.
This concludes SCf! Up next, we have…